Winter 2019 Submission Roundup!

Welcome to 2019! I don’t suppose anyone out there has resolved to publish a story this year, or more stories than last year? Anyone? I knew there’d be a few of you! Whether you’re here because of a resolution or not, if you’re looking to publish your work, you’ve come to the right place. Kick off the new year by getting your work into some of these respectable, and often paying publications!

As with our last roundup, I have not listed any magazines that charge a submission fee but don’t pay for acceptances. I may sound like a broken record, but perhaps this will become my catch phrase: “If they’re making money on your art, you should be making money on your art.”

Never, never, never, EVER submit anything without fully reading and understanding those submission guidelines first! If you’re unsure, ask for clarification via email. Some guidelines are very dense, but most editors would much rather respond to a quick email question than spend time reading something that doesn’t qualify for publication. Might I also recommend my post on making the cut with journal submissions as a fine companion for your approaching submission mission.

Godspeed! Read the guidelines!

Paying markets with no fees

Lackington’s: Outstanding speculative fiction, currently open for the “Voyages” themed issue. 1 cent CAD per word. This was featured in our last roundup and is still open, so assemble your best voyage ASAP! https://lackingtons.com/submissions/

Apex Magazine: Apex is a long-time standout in genre fiction. They publish sci-fi, fantasy, horror, speculative fiction, and genre-defying work by some of the best writers out there. Payment is $.06 per word, and there’s a chance that they’ll podcast your piece for an additional $.01 per word. There’s no specified deadline, so they will likely close soon! https://www.apex-magazine.com/submission-guidelines/

Rattle: This well-known poetry magazine is looking for poems that first appeared on Instagram, and they’re paying $100 per piece! This opportunity ends on January 15th, so get on this one soon! https://rattle.submittable.com/submit/28742/instagram-poets

Great Weather for MEDIA: Accepting “edgy, fearless, and experimental” pieces for it’s annual anthology. Contributors earn $10 and 1 contributor copy, open until January 15thhttps://greatweatherformedia.submittable.com/submit

Ruminate: A beautiful publication rooted in healing contemplation, Ruminate pays $20 per page of poetry up to $80, $20 per 400 words of prose, and $20 for visual art. Submission cycles vary, so get your poetry in by January 15th and non-fiction by May 31st. Fiction submissions will be open from February 19th-August 14thhttps://www.ruminatemagazine.com/pages/submissions

Prairie Fire: Traditionally styled, but creatively energized, Prairie Fire is looking for work-related stories for their “Work Matters” issue. Fiction and non-fiction earn $.10 per word up to $250, $40 per poem. Deadline: January 18thhttp://www.prairiefire.ca/submit/submission-guidelines/current-submission-calls/call-for-submissions-work-matters/

FIYAH: If you’re not familiar with this magazine of Black speculative fiction, get familiar, because these folks are not here to mess around! FIYAH pays $150 for short stories, $300 for novelettes, and $50 for poetry. The theme for this issue is “Hair” and submissions close on January 31sthttps://www.fiyahlitmag.com/submissions/

Event: One of Canada’s finest! Paying $30 per page up to $500 of prose, and $35 per page of poetry up to $500. Deadline: January 31st. https://www.eventmagazine.ca/submit/

Augur Magazine: This newer Canadian magazine has hit the ground running. They’re looking for pieces that defy easy genre categorization, but lean towards literary speculative fiction. Their target is to publish 75% Canadian and Indigenous artists, so while all are welcome to submit, local creators will have some preference. $.06 cents per word for short fiction, $60 for flash, and $40 per poem—all payment in CAD. Deadline January 31st http://www.augurmag.com/submissions/

Room: Another Canadian gem, this time Room is looking for a new take on “Sports” for their upcoming themed issue. Accepted pieces will earn $50-150 CAD depending on length. Submissions open until January 31sthttp://roommagazine.com/submit

Arc: Long-running poetry journal offering up $50 per page plus a contributor copy. Get your lines in by January 31sthttp://arcpoetry.ca/submit/

Ninth Letter: This University of Illinois publication is a standout in the sea of university journals. The pieces and layout design are always top-notch, and they publish a wide variety of work. The print edition pays $25 per printed page up to $150, plus two contributor copies. Submissions of fiction, poetry, and essays accepted by February 28thhttps://ninthletteronline.submittable.com/submit

Zyzzyva: Beautiful, reputable magazine. No online submissions, snail mail only! Token to semi-pro rates. Open January 7th-May 31st. http://www.zyzzyva.org/about/submissions/

The Deaf Poets Society: Not to be biased, but this might be my favorite new magazine! This digital multimedia platform publishes deaf and disabled artists, and is. They’re running on donations, so payment amounts depend on gifts from fans and donors. No submission deadlineshttps://www.deafpoetssociety.com/submit/

The Masters Review: This is a big time mag known for its massive contests, but now they’re open year round and paying $.10 per word up to $200 for fiction and non-fiction by writers who have yet to release a book-length work. This is a great jump start for you up-and-comers! https://themastersreview.submittable.com/submit/26106/new-voices-free

Pseudopod: Hear your fiction in podcast form! Very cool and forward-thinking fiction podcast looking for dark, weird fiction. 6 cents per word, Rolling deadlinehttp://pseudopod.org/submissions/

Nashville Review: One of only a handful of university journals on this list, traditional format with a refreshing approach. $25 per poem, $100 for prose. Now accepting translations! January 31st deadline. https://as.vanderbilt.edu/nashvillereview/contact/submit

One Story: Exactly like it sounds, a slick magazine featuring a single piece of fiction! Acceptance gets you $500 and 25 contributor copies, so have your best, most polished work ready for this one. Open from January 15th-May 31st. https://www.one-story.com/index.php?page=submit&pubcode=os

Lady Churchill’s Rosebud Wristlet: This is the best lit mag you’ve (probably) never read! A true gem by the fine folks at Small Beer Press. No online submissions—snail mail only! 3 cents per word with a $25 minimum for fiction, $10 per poem, plus two contributor copies and a discount on additional issues. http://smallbeerpress.com/about/submission-guidelines/

Beneath Ceaseless Skies: They publish a very specific style of fantasy, but they do it very well. Now publishing stories up to 15,000 words at 6 cents per word, rolling submissions. http://www.beneath-ceaseless-skies.com/submissions/

Smokelong Quarterly: Flash fiction only, no deadlines. $25 per story. http://www.smokelong.com/submissions/guidelines/

No fee, no pay

Ink & Nebula: Interesting new digital poetry mag that highlights established poets on the “Ink” side, and features previously unpublished poets on the “Nebula” side. Submit up to 5 pieces by February 1sthttp://inkandnebula.com/submissions.html

The Account: Here’s a magazine carving its own space into the digital realm! The Account is looking to explore the relationship between the words on the page, and the ideas that led the writer to those words. Each submission must be accompanied by an account of writing that submission (Read the guidelines!!!). Deadline: March 1sthttps://theaccountmagazine.com/guidelines

Crab Fat Magazine: Crab Fat might just be the hardest working non-paying magazine going. They consistently put out solid issues, plus a yearly print anthology. This is a great place cut your teeth in the lit world with the best new talents! Rolling deadlinehttp://crabfatmagazine.com/

Always Crashing: Looking for something different? You found it! Always Crashing is an ever-mutating multimedia entity that also publishes a print issue annually. No deadline listed. https://www.alwayscrashing.com/submissions/

The Wax Paper: A quarterly print broadsheet style publication inspired by “Studs” Terkel? Of course that sounds awesome! Submit by June 30th, accepted artists will get a lifetime subscription. https://thewaxpaper.com/submissions/

Asymptote: Bring your translations here! Rolling deadlinehttps://www.asymptotejournal.com/submit/

Small fee, paid publication

Witness: Brought to you by the Black Mountain Institute (who also publish The Believer), Witness is looking for innovative poetry, prose, and photography with a unique perspective. Payment is $25 for every 1,500 words, and $25 per poem and they charge a $3 Submittable fee. Submissions are open from January 15th-March 1st. https://witness.blackmountaininstitute.org/submit/

Zizzle: Flash fiction that appeals to all ages. $100 per piece with a $3 submission fee. Accepting submissions year-round. http://zizzlelit.com/submit/

Ploughshares: You’ve heard of this one, right? $3 fee, $45 per printed page with a $90 minimum and a $450 max. Deadline: January 15th. https://www.pshares.org/submit/journal/guidelines

Driftwood: A fairly young journal coming into its own. Fees from $2.99, pays $15 per poem, $75 for fiction. Rolling deadline. https://www.driftwoodpress.net/submit

There are more lit mags than I could ever hope to list here, so if there’s one you like that’s open for subs, drop it in the comments! And read the damn submission guidelines!!!

Ask An Editor

As a writer, you have questions. It’s in your nature, so why fight it? Here are some of the most frequent questions posed to editors!

How do I get published?

This is definitely the number one question I hear as an editor, and there’s no simple answer, so strap in. If you’re not choosy about where you want to be published, it’s pretty easy these days. There are more literary magazines than I’ll ever be able to count, and each one has its own standards and methods of selecting work. Frankly, I’ve seen work I considered unpublishable grace the pages of quite a few digital lit mags, so if you can slap together a moderately cohesive story and email it to the right place, you could be a published author in no time!

There’s a similar trajectory for self-published books, which has given them a less than savory reputation, despite a handful of passionate, talented writers who utilize the format to avoid book industry runarounds. If you can finish a book, you can publish it cheap, but there’s no telling whether anyone will actually buy or read the thing.

Now, if you want to write a book that a reputable publishing house will release, or a story that a notable magazine will print, you’re going to have more work ahead of you. You will likely spend more time editing than you did writing the first draft, and then there’s the process of bringing in beta readers and editors, then querying publishers or submitting to magazines. Amanda has written an extremely helpful post that lines out the basic steps that you will take on your journey:

Eleven Steps to Becoming a Published Author by Amanda Wayne

Once you have a manuscript that can ascend to the echelon of major publication, you can also try to secure an agent. Agents are a writer’s best bet for bypassing book industry gatekeepers and placing your manuscript into the right hands. They usually take around a 15% fee, but if they can lock you into a deal with a major publisher, it’s usually worth it. Querying agents is a subject for another post entirely, and fortunately Catherine has run down some of the details here:

The Big Book Proposal Part One by Catherine Foster

What’s the deal with “show, don’t tell?”

Which do you enjoy reading more: a fast-paced crime caper, or the instruction manual for your television? This is “show, don’t tell” at its most basic. Telling is essentially listing the mundane details that most readers already understand, or don’t care about, where as showing puts the reader into the action, informs the feel of the scene, and lets them fill in the blanks with their imaginations. Like any other piece of writing advice, this is a suggestion, not a hard rule. While there are many specific instances in which you will need to break down and lay out some exposition, more often than not, your writing will be more effective if you let your characters show your readers what they’re up to.

Do I really need an editor? Can’t anyone be an editor?


via GIPHY

I get it, some folks think anyone who can operate spell check on their word processor can be an editor. While that might technically be true, a good editor does so much more than line up your grammar, fix typos, and correct spelling errors. Depending on when we are brought into a project, we may help with character development, plotting, overall flow, and sometimes brainstorming if an idea isn’t working and solutions are hard to find. We embed ourselves in the tone of each piece and, like literary chameleons, adopt the author’s voice, ensuring our edits will not stand out from the surrounding text. Essentially, we’re here for you. Whatever your project calls for, editors have the skills to work with you and make it the best it can be!

What’s the most common problem editors see in writing?

Beyond the usual grammar nitpicking, there are many other elements we’re on the lookout for, but I think passive voice is probably the most common. To be fair, it’s not always an issue, which makes it tricky! But what is it? Passive voice occurs when you make the object of an action the subject of the sentence, rather than the performer of said action. Suppose your character is playing soccer. Writing “the ball was kicked by Josh” is passive. Read that out loud. It sounds a little clumsy, doesn’t it? “Josh kicked the ball” is more direct and natural. This is a frequent problem when writing in past tense, so stay vigilant and watch out for objects leading the action!

Here are a few more common issues to watch for:
Adverb overuse
Tense shifts
Word choice and repetition

How long does editing take? How much does it cost?

This varies from editor to editor, but we make it easy. Right on our homepage, you’ll find our hourly rates for projects over 2,500 words, and hour per word rates for anything up to 2,500 words. The latter also comes with a two week guarantee, and we will work with you and set a deadline for longer projects before we begin!

In addition, these posts by Catherine are extremely helpful if you’re looking for more in-depth exploration of some of the topics I covered above:

What Kind of Editor Is Right For You? By Catherine Foster 

Can You Afford A High Quality Editor? (The Answer Might Surprise You) by Catherine Foster

Have questions we didn’t answer? Drop them in the comments and we’ll address them in a future post!

Fall 2018 Submission Roundup!

Hello, word-slingers! Are you ready to get your work out there to the unprepared populace? If you answered with any apprehension, we’re here for you—check our homepage for editing services and rates, and we’ll help you get your work into such good shape that you’ll be itching to send it out!

For those of you who are ready, those of you who just shouted “YES!” at your computer or mobile device, you’re in luck, as I’ve assembled and organized a collection of the most promising opportunities going. Some of these deadlines are coming up quick, so be vigilant. Please note that I have not listed any magazines that charge a submission fee but don’t pay for acceptances. I strongly suggest you avoid venues using this practice. If they’re making money on your art, you should be making money on your art.

Before you begin, and I can’t stress this enough, be sure to carefully read all guidelines before submitting anywhere! You may also be interested in reading my post on making the cut with journal submissions before you proceed.

Happy submitting, and don’t forget to read the guidelines!

Paying markets with no fees

Apex: “Do Not Go Quietly” socially conscious SFF anthology by some of the hardest working folks in genre fiction! 6 cents per word. Deadline: September 19th. https://apexbookcompany.moksha.io/publication/do-not-go-quietly/guidelines

Electric Literature: These icons of modern lit are open for a couple of weeks in two categories, so act fast! $100 total for selected poetry and graphic narrative work. Deadline September 20th. An essay on the book (or other narrative media) that almost killed you pays $60, with a deadline of September 21st. https://electricliterature.submittable.com/submit

The Puritan: Sleek Canadian magazine offering $20 per poem, $75 for fiction, $100 per essay, review, or interview. Deadline: September 25th. https://puritan-magazine.submittable.com/submit

Cosmic Roots & Eldritch Shores: Interesting and fun SFF journal, paying 6 cents per word. Submissions open September 21-28. https://cosmicrootsandeldritchshores.com/submissions/

Life After All: “An apocalyptic/post-apocalyptic/pastoral apocalyptic LGBTQIA+ anthology.” $150 per piece, open until September 30th. https://www.lessthanthreepress.com/anthology-submissions/

Pseudopod: Hear your fiction in podcast form in the “Artemis Rising” horror event for women only! Very cool and forward-thinking fiction podcast. 6 cents per word, September 30th deadline. http://pseudopod.org/2018/08/15/artemis-rising-5/#more-7276

Nashville Review: One of only a handful of university journals on this list, traditional format with a refreshing approach. $25 per poem, $100 for prose. Now accepting translations! September 30th deadline. https://as.vanderbilt.edu/nashvillereview/contact/submit

Event: One of Canada’s finest! $30 per page of prose, $35 per page of poetry. Deadline: September 30th. https://www.eventmagazine.ca/submit/

Consequence: A magazine with a special  interest in the “culture and consequences of war.” $25 per page of poetry, $10 per prose page, $15 per translated page. Deadline: September 30th. http://www.consequencemagazine.org/submit/

Bubble Off Plumb: An off-kilter anthology of the odd and unsettling. 3 cents per word + royalty share. Deadline: September 30th. https://feralcatpublishers.com/bubble-off-plumb-anthology

Spoon Knife 4: A Neurodivergent Guide to Spacetime: Anthology on time and space “with themes of neurodivergence, queerness, and/or the intersections of neurodivergence and queerness.” 1 cent per word. Deadline: September 30th. http://autpress.com/2018/01/call-for-submissions-spoon-knife-4/

Tin House: One of the big ones, and they’ve extended their submission window to October 15th! Rates start at $50 for poetry and $200 for prose. https://tinhouse.submittable.com/submit

Fireside Fiction: One of the best magazines going! Top-scale pay, short reading periods. $100 per poem, open October 24-31. 12.5 cents per word for fiction, open December 15-31. https://firesidefiction.com/submissions

One Story: Exactly like it sounds, a slick magazine featuring a single piece of fiction! Acceptance gets you $500 and 25 contributor copies, so have your best, most polished work ready for this one. Deadline: November 14th. https://www.one-story.com/index.php?page=submit&pubcode=os

Zyzzyva: Beautiful, reputable magazine. No online submissions, snail mail only! Token to semi-pro rates. Deadline: November 19th. http://www.zyzzyva.org/about/submissions/

Lackington’s: Outstanding speculative fiction, opens December 2018 for “Voyages” themed issue. 1 cent CAD per word. https://lackingtons.com/submissions/

Zizzle: Flash fiction that appeals to all ages. $100 per piece. December 31st deadline. http://zizzlelit.com/submit/

Lady Churchill’s Rosebud Wristlet: A true gem by the fine folks at Small Beer Press! No online submissions—snail mail only! 3 cents per word for fiction, $10 per poem. http://smallbeerpress.com/about/submission-guidelines/

Beneath Ceaseless Skies: They publish a very specific style of fantasy, but they do it very well. 6 cents per word, rolling submissions. http://www.beneath-ceaseless-skies.com/submissions/

Smokelong Quarterly: Flash fiction only, no deadlines. $25 per story. http://www.smokelong.com/submissions/guidelines/

No fee, no pay

Bridge: Cool opportunity for young writers and artists, as this magazine is only open only to contributors between the ages of 14 & 24. Contributor copy payment, deadline: September 30th. https://bridgebluffton.submittable.com/submit

Feels Blind Literary: Inaugural issue, looks promising, but they need exceptional work to put them on the map! Deadline: October 1st. https://www.feelsblindliterary.com/submissions

Capulet: Another opportunity for the young folks, open to women ages 15-29. October 20th deadline. http://capuletmag.com/submit/

Clockhouse: “An eclectic conversation about the work-in-progress of life.” Payment is a contributor copy, but it’s likely to be a good one. Deadline: December 1. http://clockhouse.net/main/submit/

Litro: Wide-ranging UK journal open for various themed issues—check specific guidelines posted for each one! https://www.litro.co.uk/submit/

Storm Cellar: One of the more engaging indie publications currently out there, rolling submission period. https://stormcellarquarterly.com/submit/

Loud Zoo: The socially conscious literary/arts journal from our sister company, Bedlam Publishing. Every accepted piece gets a complimentary edit from The LetterWorks! Deadline: September 30th, not accepting poetry this cycle. http://www.bedlampublishing.com/submissions.html

Small fee, paid publication

Nimrod: Ambitious journal open for a themed issue on the Middle East and North Africa. $3 fee, $10 per page up to $200. Deadline: December 1st. https://nimrod.utulsa.edu/manuscripts.html

Ploughshares: You’ve heard of this one, right? $3 fee, $45 per printed page with a $90 minimum and a $450 max. Deadline: January 15th. https://www.pshares.org/submit/journal/guidelines

Driftwood: A fairly young journal coming into its own. Fees from $2.99, pays $15 per poem, $75 for fiction. Rolling deadline. https://www.driftwoodpress.net/submit

 

See anything I missed that deserves a mention? Drop it in the comments! And read the damn submission guidelines!!!