Reader Request: What Do Editors Write? By Catherine Foster
A reader of ours reached out and requested a blog article devoted to shining the spotlight on what is on our editors’ private writing dockets. This seemed like an idea for an interesting topic, but also an excellent time to demystify some myths associated with editors. While it is true we wield the dreaded red pen, we are just as often the subject of one ourselves. Many—I daresay most—editors begin as authors themselves, and a great number of them continue to write and submit their works as they support their clients, as well. So it may surprise you to learn that we are all in this thing together! Editors often pass work along to each other for a simple “brushing up” or for someone to “glance over”—as professionals, we understand the necessity of having a fellow editor check our work, but I’ll admit that it takes a lot of years before it gets easier to accept constructive criticism and learn to make necessary changes to our beloved writing! With time, we come to anticipate and expect the work that comes after the joy of writing, but even seasoned authors’ hearts sink a little when we open a document and see nothing but slashes through paragraphs, big sections omitted and huge notations in the margin for our perusal. I share this with you so that you know that we have the expertise as editors but also the humanity; we have walked in your shoes but are most likely walking with you even now as we share the process from the same side. Editing requires precision but also gentleness, and anyone who has been writing and submitting for some time has been shaped by experience enough to have both. Here is a list of what is inspiring and humbling us into the best editors we are at the moment:
Josh Smith: Josh has recognized that he is a much stronger editor than he is a writer, and as such has been spending most of his creative energies on projects of that nature, the most exciting of which is the first book release by Bedlam Publishing, where he is Editor-in-Chief. The seeds for “All of Yesterday’s Tomorrows: collected poems” by Ramez Qureshi were planted by Ali Eteraz four years ago, and fluctuated between various states of production until last year when all the pieces really started coming together. It will be out in hardcover and eBook editions this spring, and is Qureshi’s posthumous debut. Once the book hits the print shop, Josh will begin work on the next edition of Bedlam’s annual art & lit magazine, Loud Zoo. He is also editing pieces for a prospective collection by The LetterWorks’ very first client, Brett Petersen!
His only current project that doesn’t involve editorial work is something of a musical experiment. A passable percussionist and frequent found-object musician, he inherited a bass and has been attempting to incorporate it into his sonic palette. With a stack of lyrics already written and more coming all the time, he’s trying to figure out how to play the music that’s rattling around them in his head, and then he’s sure to bother anyone within earshot with … whatever it is he thinks he’s doing.
Amanda Wayne: Amanda is currently researching the effect of brevity on connotation and denotation and the way in which readers react to word choice. (Read: spends too much time on Twitter.) She is also doing a study on how repetitive iterations of children’s literature forces parents to reassess the importance of literacy. (If she has to read SkippyJon Jones one more time, Mama Junebug is going to be mourning the loss of her kittyboy.) Occasionally, she manages to jot down an idea for a story. These notes, when later fished out of the toy box and read, appear to be written in crayon and are actually sketches for inventions to get toddler pee out of battery powered toy trucks or prosthetic arms so that a mom can hold a baby and also make herself a sandwich.
Melissa Heiselt: Melissa doesn’t have any focused work in progress, but she’s always tucking away ideas and developments for a couple of larger fantasy pieces that will likely be marinating for years yet. She feels as if she has some foundational gaps that she needs to work through before she spend too much time writing a monstrosity (or two) that would need a massive overhaul. [ed. note: this is a completely unfounded sentiment] She’d rather have the bones laid straight from the start. She occasionally writes poetry. Since discovering Deep Magic, her new goal is to flesh out some short stories to submit to that E-zine. She preaches all the time about making regular time to write because she knows all too well what happens when you don’t! It’s a struggle to regain those writing muscles that have atrophied, and it’s a vicious cycle that makes you not want to write because your work just isn’t up to your own standards anymore, but the only solution is to keep writing more things!
TN Rosema: TN is an accomplished poet, author and editor who helms a longstanding writer’s group. Their interests are pre-writing and manuscript revision.
Catherine Foster: Catherine began publishing poetry at age ten and has been writing and submitting ever since. She moved on to short stories and recently counted her number of published titles in the seventies. She’s written and had moderate success with everything ranging from poetry to short stories to memoirs and even dabbled in writing scripts. Writing has always been a part of her life, but over the past few years she’s slowly evolved into editing more and more. At the moment, she spends her time writing to penpals in prison, which takes up quite a bit of the time that she used to devote to creative writing, but she feels it is a more worthy endeavor at this stage in her life. It is fair to say that she is retired from writing and submitting at this time and focusing solely on the business of editing and writing for volunteer purposes.
So that is our team! We all come from different backgrounds and are at varying stages in our careers. We have a wealth of knowledge and continue to evolve. The important thing to know is that we are editors and writers because we cherish the craft and respect the language, and we entered this field because we have a passion for helping others succeed. If you have any questions or if we can help you, please let us know in the comment section or email me directly at firstname.lastname@example.org. Until next time, happy writing!