Over the course of a week last September, I had the opportunity to administer a series of in-person interviews with the subject of our latest author spotlight, Mr. Ed Myers. I usually conduct my business via e-mail, so this was a rather unusual medium for me, but it turned out to be an unexpected blessing. I don’t use the word blessing lightly; with its overt religious overtones, it can alienate those who disdain the subject, and it can carry a distinctly heavy sort of preaching when it is put into use. I can’t deny that it fits in this case, however; to meet with Ed in person when I would normally choose the more modern route was a blessing to me. I had to consider that, while I am far from tech-savvy, I have taken refuge in insulating myself from much of the lesser social graces that come with meeting someone in person if I can avoid it. That’s the beauty of e-mail and text! I have embraced skipping over that awkwardness that comes with making small talk and chit-chatting about the weather, the uncomfortable pauses, having to listen and feign interest while someone talks about their kids and then trying to decide when it’s too soon to extricate myself from the meeting without being rude. All of this is a moot point over e-mail: it’s quick, to the point, and we none of us must suffer each other’s annoying personal qualities. What could be a more efficient arrangement?
In meeting with Ed this week, particularly for such an extended session, I came to see that there is something more important than efficiency. A connection is forged in that awkwardness borne of face-to-face interaction; there is a certain beauty in the pauses and there is the heart of human experience to be found in time spent in the presence of a person, even a person we don’t know that well. This is lost over e-mail. It may be uncomfortable and inconvenient, it may be time-consuming, but it is necessary sometimes. Especially when the topic is writing or poetry, which deals primarily and fundamentally with the subjects of the heart and how one can best explore those emotional connections. As a writer, I know I am an introvert. As an editor who works with many other writers, I am comfortable in stating that I believe many of my clients also exhibit introverted tendencies, as well. This leads us to the path of avoidance sometimes: avoidance of social contact, uncomfortable situations, and new people. In meeting with Ed this week, I’d like to share that these new experiences wake the sleeping talent in us. They revitalize our creativity even if the cost seems high and we’d prefer to shy away from that source of discomfort. I’m not counseling anyone into a panic attack, but I am pointing out that it is easy to hide behind our wall of technology and forget that human interaction is the best and most important inspiration there is for a writer. I’d like to thank Ed for reminding me of that and for giving me back my inspiration. Now, without further ado, his interview and a poem he wanted to share:
Catherine Foster: Did you like to read poetry growing up?
Ed Meyers: Yes. Edgar Allan Poe was my favorite.
CF: How long have you been writing poetry?
EM: About thirty-five years.
CF: Do you write out of passion or in hopes of publication?
CF: What is your inspiration?
CF: Your poems are often very emotional and deal with subjects such as love, loss, longing and grief. Many authors struggle to be so open about these feelings. Do you have difficulty tapping into deep emotions and sharing them on the page for others to read?
EM: Yes and no. It’s easy to let my feelings out. It’s not easy to let people read it.
CF: Tell me what you love most about writing.
EM: The chance to express my feelings. It makes me proud.
CF: Poetry is an art form that requires an abundance of patience to master, which you have cultivated; Do you have any words of advice for your fellow poets who may need some direction?
EM: Let it flow.
CF: Thank you for your time with me. Do you have anything else you’d like to say?
EM: It’s hard work to write poetry, but the end product is usually worth the effort. It’s easier to write poetry if you write it with feeling.
Playing the role of a broken heart
is not easy,
No, not easy
Way to proceed
the horse behind the cart.
Being with you
is simple, satisfying, serene; an art.
Tactics to endure.
You move out of the past
but it’s hard to be sure.
Being with you
is so simple
Like learning how to breathe,
for you are the reason for my reprieve.
I’d like to thank Ed for the time he spent with me and for the enormous amount of patience he had with me during these interviews. I’d also like to extend my sincere gratitude to the staff at Origami, particularly Bethany Simon and Kaitlyn Cavazos, for helping facilitate this process.