As a writer, you have questions. It’s in your nature, so why fight it? Here are some of the most frequent questions posed to editors!
How do I get published?
This is definitely the number one question I hear as an editor, and there’s no simple answer, so strap in. If you’re not choosy about where you want to be published, it’s pretty easy these days. There are more literary magazines than I’ll ever be able to count, and each one has its own standards and methods of selecting work. Frankly, I’ve seen work I considered unpublishable grace the pages of quite a few digital lit mags, so if you can slap together a moderately cohesive story and email it to the right place, you could be a published author in no time!
There’s a similar trajectory for self-published books, which has given them a less than savory reputation, despite a handful of passionate, talented writers who utilize the format to avoid book industry runarounds. If you can finish a book, you can publish it cheap, but there’s no telling whether anyone will actually buy or read the thing.
Now, if you want to write a book that a reputable publishing house will release, or a story that a notable magazine will print, you’re going to have more work ahead of you. You will likely spend more time editing than you did writing the first draft, and then there’s the process of bringing in beta readers and editors, then querying publishers or submitting to magazines. Amanda has written an extremely helpful post that lines out the basic steps that you will take on your journey:
Once you have a manuscript that can ascend to the echelon of major publication, you can also try to secure an agent. Agents are a writer’s best bet for bypassing book industry gatekeepers and placing your manuscript into the right hands. They usually take around a 15% fee, but if they can lock you into a deal with a major publisher, it’s usually worth it. Querying agents is a subject for another post entirely, and fortunately Catherine has run down some of the details here:
What’s the deal with “show, don’t tell?”
Which do you enjoy reading more: a fast-paced crime caper, or the instruction manual for your television? This is “show, don’t tell” at its most basic. Telling is essentially listing the mundane details that most readers already understand, or don’t care about, where as showing puts the reader into the action, informs the feel of the scene, and lets them fill in the blanks with their imaginations. Like any other piece of writing advice, this is a suggestion, not a hard rule. While there are many specific instances in which you will need to break down and lay out some exposition, more often than not, your writing will be more effective if you let your characters show your readers what they’re up to.
Do I really need an editor? Can’t anyone be an editor?
I get it, some folks think anyone who can operate spell check on their word processor can be an editor. While that might technically be true, a good editor does so much more than line up your grammar, fix typos, and correct spelling errors. Depending on when we are brought into a project, we may help with character development, plotting, overall flow, and sometimes brainstorming if an idea isn’t working and solutions are hard to find. We embed ourselves in the tone of each piece and, like literary chameleons, adopt the author’s voice, ensuring our edits will not stand out from the surrounding text. Essentially, we’re here for you. Whatever your project calls for, editors have the skills to work with you and make it the best it can be!
What’s the most common problem editors see in writing?
Beyond the usual grammar nitpicking, there are many other elements we’re on the lookout for, but I think passive voice is probably the most common. To be fair, it’s not always an issue, which makes it tricky! But what is it? Passive voice occurs when you make the object of an action the subject of the sentence, rather than the performer of said action. Suppose your character is playing soccer. Writing “the ball was kicked by Josh” is passive. Read that out loud. It sounds a little clumsy, doesn’t it? “Josh kicked the ball” is more direct and natural. This is a frequent problem when writing in past tense, so stay vigilant and watch out for objects leading the action!
Here are a few more common issues to watch for:
Word choice and repetition
How long does editing take? How much does it cost?
This varies from editor to editor, but we make it easy. Right on our homepage, you’ll find our hourly rates for projects over 2,500 words, and hour per word rates for anything up to 2,500 words. The latter also comes with a two week guarantee, and we will work with you and set a deadline for longer projects before we begin!
In addition, these posts by Catherine are extremely helpful if you’re looking for more in-depth exploration of some of the topics I covered above:
Have questions we didn’t answer? Drop them in the comments and we’ll address them in a future post!